![\"\"](\"https:\/\/www.book-komiyama.co.jp\/bookblog\/wp-content\/uploads\/2026\/10\/IMG_7505.png\")
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KOMIYAMA TOKYO G\u3067\u306f\u300110\u670823\u65e5\uff08\u91d1\uff09\u3088\u308a\u3001\u4e38\u5ca1\u548c\u543e\u306b\u3088\u308b\u500b\u5c55\u300cHRTSTR\u300d\u3092\u958b\u50ac\u3044\u305f\u3057\u307e\u3059\u3002<\/p>\n
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![\"\"](\"https:\/\/www.book-komiyama.co.jp\/bookblog\/wp-content\/uploads\/2026\/10\/120548-scaled.jpg\")
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\u4e38\u5ca1\u548c\u543e \u500b\u5c55 \u300cHRTSTR\u300d
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\n12:00\u301c17:30 \uff08\u65e5\u66dc\uff09
\n\u4f11\u5eca\uff1a\u706b\u66dc\u30fb\u6c34\u66dc
\n\u4f1a\u5834\uff1aKOMIYAMA TOKYO G
\n\u3012101-0052 \u6771\u4eac\u90fd\u5343\u4ee3\u7530\u533a\u795e\u7530\u5c0f\u5ddd\u753a 3-20-4 \u7b2c2\u9f8d\u540d\u9928\u30d3\u30eb 1F D
\n\u5165\u5834\u7121\u6599<\/p>\n
\u304a\u554f\u3044\u5408\u308f\u305b
\n\u96fb\u8a71\u756a\u53f7\u300003 6811 7355
\n\u30e1\u30fc\u30eb\u3000\u3000gallery@book-komiyama.co.jp<\/p>\n
<\/p>\n
\u30d7\u30ed\u30d5\u30a3\u30fc\u30eb
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![\"\"](\"https:\/\/www.book-komiyama.co.jp\/bookblog\/wp-content\/uploads\/2026\/10\/DSC_0160-scaled.jpg\")
![\"\"](\"https:\/\/www.book-komiyama.co.jp\/bookblog\/wp-content\/uploads\/2026\/10\/DSC_0395-scaled.jpg\")
<\/p>\n
<\/p>\n
KOMIYAMA TOKYO G is pleased to present \u201cHRTSTR,\u201d an exhibition by Kazumichi Maruoka, opening Friday, October 23.<\/p>\n
Known for his ceramic works featuring skulls and themes of death, Maruoka will present a new series of drawings created by burning the surface of tatami mats with cigarette embers and inscribing them with the Heart Sutra. The exhibition will also feature new ceramic works.<\/p>\n
We look forward to welcoming you to the gallery.<\/p>\n
<\/p>\n
Kazumichi Maruoka Solo Exhibition<\/strong>\u201cHRTSTR\u201d<\/strong><\/p>\n Date: Friday, 23 October \u2013 Sunday, 8 November, 2026<\/p>\n Opening Hours: 12:00 \u2013 18:30 Venue: KOMIYAMA TOKYO G <\/p>\n PROFILE KOMIYAMA TOKYO G\u3067\u306f\u300110\u670823\u65e5\uff08\u91d1\uff09\u3088\u308a\u3001\u4e38\u5ca1\u548c\u543e\u306b\u3088\u308b\u500b\u5c55\u300cHRTSTR\u300d\u3092\u958b\u50ac\u3044\u305f\u3057\u307e\u3059\u3002 \u30b9\u30ab\u30eb\u3084\u300c\u6b7b\u300d\u3092\u30e2\u30c1\u30fc\u30d5\u3068\u3057\u305f\u30bb\u30e9\u30df\u30c3\u30af\u4f5c\u54c1\u3092\u624b\u304c\u3051\u308b\u4e38\u5ca1\u3002\u672c\u5c55\u3067\u306f\u3001\u7573\u306e\u8868\u9762\u3092\u30bf\u30d0\u30b3\u306e\u706b\u3067\u7126\u304c\u3057\u3001\u822c\u82e5 […]<\/p>\n","protected":false},"author":1,"featured_media":71946,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[114],"tags":[],"class_list":["post-71940","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-114"],"acf":[],"aioseo_notices":[],"views":83,"_links":{"self":[{"href":"https:\/\/www.book-komiyama.co.jp\/bookblog\/index.php?rest_route=\/wp\/v2\/posts\/71940","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.book-komiyama.co.jp\/bookblog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.book-komiyama.co.jp\/bookblog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.book-komiyama.co.jp\/bookblog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.book-komiyama.co.jp\/bookblog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=71940"}],"version-history":[{"count":9,"href":"https:\/\/www.book-komiyama.co.jp\/bookblog\/index.php?rest_route=\/wp\/v2\/posts\/71940\/revisions"}],"predecessor-version":[{"id":71959,"href":"https:\/\/www.book-komiyama.co.jp\/bookblog\/index.php?rest_route=\/wp\/v2\/posts\/71940\/revisions\/71959"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.book-komiyama.co.jp\/bookblog\/index.php?rest_route=\/wp\/v2\/media\/71946"}],"wp:attachment":[{"href":"https:\/\/www.book-komiyama.co.jp\/bookblog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=71940"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.book-komiyama.co.jp\/bookblog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=71940"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.book-komiyama.co.jp\/bookblog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=71940"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n*Sunday 12:00 \u2013 17:30
\n*Closed on Tuesday and Wednesday.<\/p>\n
\n3-20-4 Kanda Ogawamachi, Chiyoda-ku, Tokyo
\nRyumeikan Bldg. 2, 1F D<\/p>\n
\nKazumichi Maruoka [Hiroshima 1978\u2013] works mainly with ceramics and graphic design, often using skull motifs as a central element in his work to reflect themes of death. All pieces are created with sophisticated handwork. In 2020, he provided an original logo design for the album artwork of Boris, a heavy rock band known internationally. Kazumichi Maruoka, who has previously focused on crafting skull-shaped ceramic works such as tea cups, flower pots, sake cups, and sculptural objects, has now expanded the breadth of his artistic expression by incorporating a new element: painted.<\/p>\n","protected":false},"excerpt":{"rendered":"